Mobile video: Apps, links and more

For the benefit of those who attended my mobile video workshop today at Northern Illinois University (and anyone else interested), here are the app suggestions and useful links.

Apps

With video editing apps, look for multitrack editing so you are able to add b-roll.

  • iOS: iMovie ($4.99), Pinnacle Studio ($12.99) or Videolicious (free)
  • Android: VidTrim Pro or VideoMaker Pro Free; Kinemaster Pro ($2.99) if device supports it
  • FiLMiC Pro ($4.99) – for iOS. This one has lots of pro features, like selective focus and exposure, setting key frames, adjusting zoom speed and more.
  • Hyperlapse – for shooting time-lapse video (free from Instagram)
  • ProCamera (7.99) – set resolution, shutter speed for stills
  • DropBox (free)
  • Facebook, Twitter, Instagram, etc, (free)
  • Skype – and here’s how to record those interviews.

 Links:

7 apps for mobile journalists

Good (but dated) list of video editing apps for journalists

iMovie tutorial (one of many good ones)

NYTimes video as an example of a “process” story.

 

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WWHTD? How churches can produce more world Christians

hudsontaylorFamed 19th-century missionary Hudson Taylor suggested a four-part process for engaging congregations in missions.

1. Missions are preached every Sunday;
2. Every person in the church knows his/her personal responsibility to support the work of missionaries;
3. Missionaries must give accurate and compelling reports; and
4. All of this must be bathed in prayer.

Taylor’s third point describes journalism – accurate and compelling reports – and it catalyzes the other points. Maybe someone took the time to interview a refugee family from a war-torn country. Maybe someone produced a video about a culture that desperately needs the Bible in its own language. Or maybe someone talked about tutoring troubled kids in your town, and asked for help.

Those kinds of reports inspire kingdom impact. People not only pay attention, they also discover their own role. Think about it: Every person who engages in mission has been influenced by someone’s story. If those stories aren’t being told, or if they’re being told poorly, people don’t pray, give, send or go. They tune out.

How does your church fare on Taylor’s four-point scale? Are you satisfied with the amount of mission engagement? Is there untapped potential for impact?

Accurate and compelling reports can transform people from consumers to participants in ministry. What if your short-term mission teams came home and engaged the congregation – not with Facebook selfies or tales about the gross foods they ate, but well-crafted stories, photos and videos about people whose lives they impacted?

Go a step further. What if we took Taylor’s advice and preached missions every Sunday? Maybe it isn’t always the full sermon. But what if a brief, accurate, compelling story of God at work in the world became part of every worship service? How would that impact your church? How would it impact the world?

Does your church want to produce more world Christians: people who accept responsibility for their part in reaching the unreached? It starts with equipping your congregation, and the missionaries you support, to report those stories better.

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The church and expensive perfume

A bit random and off-topic today, but it tracks with a conversation I’ve been having with a friend. Here goes …

There’s one story from the gospels I always have trouble with. It’s where Jesus lets Mary, the sister of Lazarus, wash his feet with expensive perfume. Judas Iscariot objects. “Why wasn’t this perfume sold and the money given to the poor? It was worth a year’s wages.” One gospel writer, John, quickly adds: ‘He did not say this because he cared about the poor but because he was a thief; as keeper of the money bag, he used to help himself to what was put into it.”

Jesus tells him to leave Mary alone. “It was intended that she should save this perfume for the day of my burial. You will always have the poor among you, but you will not always have me.”

And Mark quotes Jesus as saying: “Leave her alone. Why are you bothering her? She has done a beautiful thing to me. The poor you will always have with you, and you can help them any time you want. But you will not always have me. She did what she could. She poured perfume on my body beforehand to prepare for my burial. I tell you the truth, wherever the gospel is preached throughout the world, what she has done will also be told, in memory of her.”

Judas may have had ulterior motives for his comment, but I can imagine the rest of the disciples present to have similar thoughts, from pure hearts: “That’s a lot of money being poured out. Isn’t there something better we could be doing with it?”

I have a hard time with extravagance – spending more than is absolutely necessary. That is a nice way of saying I am cheap. Jesus’ words about extravagance in worship are conflicting for me. History is littered with examples of the church rubbing its opulence in the faces of the peasants – often by building lavish cathedrals while people starved. I can point to any number of contemporary churches who have built themselves grand edifices, while on the inside they rot from spiritual indifference to a needy community.

Yet, beautiful surroundings can be a powerful part of worship. If the places where we gather for corporate worship are beautifully and thoughtfully designed, they can help us draw close to God. Solomon’s Temple was extravagant, and the blueprints came directly from God. The universe itself is extravagant. Why all that vast, empty space, if not to emphasize the awesomeness of its Creator?

On the other hand, an ugly, uninviting building not only can impede worship, it also can send a terrible message to its community. In a 2009 Christianity Today article, architect Gary Wang explored the issue of church design – in particular, how 20th-century modernism influenced the building of drab churches. In the modernist view, form follows function. Simplicity is king and ornamental flourishes are wasteful. Some modern architecture is stunning. Think: Frank Lloyd Wright. Most is dreary. Think: Corporate America. Faceless office building after faceless office building. Cubicles.

“If churches then had seen what they had in common with modernism,” Wang wrote, “they could have allied their sense of responsibility with cutting-edge design. Instead, churches, which were the architectural focal points of early American settlements, left the conversation of progressive architecture (emphasis mine). But in the past few years, missions-minded Protestant churches have begun to rediscover architecture.”

Wang goes on to profile several new church buildings where architecture moves front and center. Each element not only carries aesthetic appeal, but spiritual significance. Turns out, looking like a church, not a multipurpose center or a mall, isn’t such a bad thing in a culture looking for community.

So many protestant churches built in the past half-century are just dressed-up sheds. Boxy, pre-fabricated steel construction. No frills. It’s like worshiping God in a warehouse. They look cheap, slapped together and altogether uninviting: multipurpose pole barns with crosses stuck on the side and a cheesy sign out front. Others are huge, featureless concrete or brick buildings. If not for the sign out front, they could be mistaken for a shopping mall, a YMCA, even a prison. Great things may be going on inside, but for a passerby desperately seeking community in his life, these churches look like … well, like impenetrable fortresses.

The attractional model of church holds that, basically, if you build it, they will come. I don’t buy that. Not any more. The missional model gets closer to New Testament Christianity, I think: Go to them; don’t wait for them to come to you.

By Sracer357 (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

By Sracer357 (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

I’ve visited two churches that took my breath away. One was St. Patrick’s Cathedral in New York City. Built during and after the Civil War at Fifth and Madison avenues, today it’s a neo-gothic jewel, surrounded and dwarfed by Midtown Manhattan skyscrapers. Almost everything about the cathedral is lavishly ornate, from its towering spires to its massive wooden doors to the hundreds of narrow gothic arches that form the sanctuary.

Through my evangelical lens, I thought I’d feel the cathedral was overly extravagant, more about “look at us” than “look at God.” And I suppose there was a bit of that. But as I walked through those doors, my mind immediately refocused from the noise and bustle of Manhattan to hushed reverence toward the majesty of God. I was surrounded by people of assorted races and nationalities, there to worship God in a cathedral setting similar to what Europeans experienced for centuries. Our traditions may have varied, but the intention was the same and God’s spirit was clearly present.

By Dinwy (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

By Dinwy (Own work) [CC-BY-SA-3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

The second place was the Chapel of Transfiguration in Grand Teton National Park. Now, one could rightly say that stepping inside any building while in the Grand Tetons is the quickest way to block the view of God all around you. Here, that’s not the case. The one-room, log-cabin Episcopal chapel is dimly lit and rustic. The pews are made of split logs. At the altar, behind a simple, wooden cross, is a picture window looking out at the spectacular Teton range. The chapel’s designers understood their simple mission: Don’t put any man-made construct in the way of God’s incredible creation.

Those two churches stand at opposite ends of the worship spectrum, but at least for me, both were incredibly effective at pointing to God in their unique environments. Why? They understood their mission and their community. Church buildings are supposed to be about creating an atmosphere that welcomes people and helps them tune in to God. That doesn’t mean going cheap, nor does it necessarily mean going extravagant. It means creating something that connects with your particular community in a way that honors and glorifies God.

Beauty is most definitely a part of that equation. It isn’t the only part, nor is it the most important … and there can lie the downside. Both of the churches I just mentioned are known better as tourist attractions than as places or worship. The great cathedrals of Europe are tourist attractions today, too – and little more. Their beauty stops at the ceiling, because their mission has vanished.

In the gospels, I think Jesus was complimenting Mary not for the monetary value of the perfume, but the spirit in which she used it: all-out worship and service to God. Where Judas – and I – got hung up on the price tag, Jesus looked at Mary’s heart. The same goes for church buildings today. If they honor and glorify God in a way that is evident to more than just the people inside, then that, too, is a beautiful thing.

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When spectacle obscures story

Everything is Awesome!!!

If you’ve seen “The Lego Movie,” I’ve just triggered that obnoxious, earworm of a song to start playing again in your head. You’re welcome.

I’m aware that most critics loved this movie. It’s smart, cynical, funny and contains maybe the best CGI effects ever done. But where the “Toy Story” movies to which it’s being compared always honored story above spectacle, spectacle drives “The Lego Movie” like a runaway train.

Somewhere beneath a 90-minute frenzy of incredible visuals, gags and video game action, there really is a story. But by the time we reach the final act – 10 minutes which are surprising and sweet – I was too exhausted to care.

We are a culture obsessed with spectacle – Aristotle’s term for the visual (and least important) aspect of story. Loud, relentless spectacle drives summer blockbusters, from comic book reboots to spy thrillers to monster movies. Even when we like these films, mostly we talk about the visuals and then add, “Oh, and it actually had a story.”

Spectacle can decorate a story incredibly well, but it can’t tell a great story. For that we need deep characters, an absorbing plot and a universal truth underlying the whole thing.

Spectacle can obscure story in real life, too. In March, Lincoln and I attended a Coptic church service in a huge cave outside Cairo, Egypt. As the congregation sang worship songs and the priest delivered his sermon, commotion came from a section where about 75 Muslim women sat. Many of these women, we were told, come to the church often to seek healing.

Every few minutes, different women would begin screaming and thrashing, as church staff would restrain them and pray for them. Demonic activity, psychological distress … whatever it was, as a visitor my attention was drawn to the spectacle a few rows away.

A church worker (in blue) restrains a women screaming and thrashing violently during the Cave Church service.

A church worker (in blue) restrains a women screaming and thrashing violently during the Cave Church service.

But as I look at our photos from that service, something else stands out. The men and women sitting near these distressed women seem to barely notice the commotion. They’re locked in on the sermon or the worship music.

See, the larger miracle in the Cave Church is not that exorcisms are happening. It’s that people are coming to Christ in droves. Grace – free, undeserved favor and redemption – is the underlying universal truth playing out among this plot, these characters and yes, this spectacle.

In that order.

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Aristotle’s eye for story

aristotle

Well, not these eyes …

The Greek philosopher Aristotle identified six elements of drama: plot, characters, theme, dialogue, rhythm and spectacle. Those elements still apply today, whether we’re talking about a stage play, a written feature story or a YouTube video. Here’s a quick look at each:

Plot: The series of events that drives the story. Also can be called conflict, or obstacle. We like to call it the monster: something big and bad that the main characters have to defeat.

Characters: Interesting individuals who live out the plot. Good stories reveal their personalities, strengths, weaknesses and motivations.

Theme: The broader point behind the story. We call this the universal truth. Think of Jesus’ parables. The themes of the Prodigal Son, for instance, are rebellion, loss and redemption. The Good Samaritan? True compassion.

Dialogue: The words spoken by the characters or written by the author. The style of language and conversation. In a film or play, dialogue brings the plot and characters to life. In a written story, too, dialogue between characters places the reader on the scene with them. And, it removes the filter of the writer’s voice. Dialogue is one of the most-powerful and least-used tools in journalism.

Rhythm: In stage or film, rhythm equals the music chosen. It sets a mood and pace for the story being told. Think of “2001: A Space Odyssey” and its opening use of “Thus Spake Zarathustra.” Or any Disney animated film and its bouncy, memorable soundtrack. Writing can contain rhythm, too. To convey urgency or action, use short sentences and short paragraphs. To slow the pace and provide some thought or backstory, use longer sentences and paragraphs.

Spectacle: Visuals and special effects. Aristotle saw spectacle as the least artistic element of drama. It’s important, but it should be used sparingly. Spectacle contributes to story but it doesn’t tell the story. To a visually oriented society like ours, spectacle is so powerful that it can drown out the other elements and destroy the story. See: Just about any action movie.

More about these elements in the coming days as we examine how they pertain to telling effective stories from the mission field.

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The call of adventure

If you haven’t noticed, story is big right now. Tell your story. Tell your company’s story. Live a better story.

Photo by Jim Killam

Photo by Jim Killam

As a writer, I like this trend. I’m predisposed to see life as a series of story ideas. The best of those stories involve adventure: some sort of unusual, exciting exploration of the unknown.

In his book, “Facing Leviathan,” Mark Sayers writes about journalist Henry Morton Stanley and his legendary search for missing missionary David Livingstone in late-19th century Africa. Stanley’s tales of adventure caught the world’s attention. After finding Livingstone, he found his own faith and spoke often about his desire to help open Africa for evangelism. “Yet judging by his actions,” Sayers writes, “his quest for adventure and personal glory motivated him much more powerfully than preaching the gospel.”

Stanley’s heroic dispatches from Africa captured Europe’s attention. But the real Africans he interacted with knew him as an increasingly murderous tyrant. Stanley was widely suspected as an influence for the character of the madman Kurtz in Joseph Conrad’s novel “Heart of Darkness.”

All of that provides a healthy caution. Adventure is a fantastic byproduct of following God with everything we have. In the years since I left a safe, secure career for a life in missions, I’ve gone places and experienced things beyond my wildest imagination. On numerous occasions I’ve stopped, looked around and said, “What the heck am I doing here?” I love that about this work.

But adventure can’t be the objective. My focus must be to play whatever small role God has given me in helping to complete the Great Commission. Like my high-school band director used to tell us: “Be sure that you can play your part perfectly.”

If I simply want adventure, I can find it: a vacation, a great hike, a new job, a new place to live … even a great mission-trip experience. And I’ll flit from experience to experience, feeding the monster called More. That’s a good description of addiction or idolatry.

Churches and the mission movement often use the lure of adventure to recruit people for short-term trips or even sign up for lifetime service. That’s an enticing promise, because we’re wired with a deep longing for adventure – living a more exciting story. This approach becomes a problem, though, because it places the focus squarely on ourselves and our experiences.

Is it OK to pursue adventure? To do things just for the fun and the rush? Gee, I hope so. Nothing makes me come alive more than hiking in the mountains. But I can’t allow striving after those experiences to consume me – taking my passion, my money, my time.

Is it OK to enjoy the fact that life as a missionary is about as adventurous as it gets? Absolutely. But it’s the byproduct, not the objective. I can’t mix that up with God’s calling to reach the lost. That calling is not about me.

Sayers again: “We can exploit the people and places God has called us to in order to gain a sense of identity. Historian A.N. Wilson suggests, ‘Stanley saw Africa, as many explorers and missionaries did, as the metaphor for the uncharted territory of their own personal struggle.’ We must examine the ways in which we have attempted to turn our own ministries, workplaces and mission fields into the playgrounds of our own personal struggles.”

For me, the funny thing has been: When I stopped striving after adventure, and instead simply started saying yes to opportunities God dropped in front of me, I got adventure beyond belief. Jesus told his disciples: “If you try to hang on to your life, you will lose it. But if you give up your life for my sake, you will save it.” (Matthew 16:25)

God has ultimate adventure waiting for us – better than anything we can imagine. We find it when we stop seeking it, and instead seek him.

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Hobby Lobby and Christian conscience

US_Supreme_Court_Bldg

Photo by Duncan Lock

In a 5-4 decision this morning, the U.S. Supreme Court ruled that family-owned companies cannot be required to provide insurance coverage for certain contraception methods.

Justices ruled in favor of two corporations, Hobby Lobby and Conestoga Wood Specialties, that argued that the Affordable Care Act’s requirements that they pay for contraception methods that they deem tantamount to abortion were a violation of their religious freedom. Both companies are owned by Christian families.

Our friend Jennie Anderson had the opportunity to correspond with Hobby Lobby’s Michael McAfee about his connection to the company and its approach to business:

How are you connected to the Green family (founders of Hobby Lobby)? 

I married the oldest daughter of [company resident] Steve Green/oldest granddaughter of David Green [founder & CEO]. I serve as the director of faith initiatives, and as the pastoral relations coordinator for the Museum of the Bible.

For those not aware of Hobby Lobby’s beginning, how would you describe it? 

Humble. Grandpa [David Green] did not come from a wealthy family. In high school he grew to love working at the local five and dime. He rented a few hundred square feet to sell little frames that were becoming popular with a $600 loan to begin his own store. Hobby Lobby was soon born and has grown today to over 600 stores all across the country.

Hobby Lobby has seen economic growth as a business, but in what ways has your family’s faith in God impacted the business? 

The faith of the family plays into every decision. I remember the first executive meeting I got to sit in on and Grandpa saying we can’t make decisions based solely on what’s best for business but what’s best for the people we’re entrusted with. He was speaking of both customers and employees alike.

What is your family’s hope for the store in the coming years? 

Make as much money as possible to give away as much money as possible. We want to care for people above all. Impacting lives is the bottom line.

What practical advice do you have for Christian business owners/leaders that are struggling to incorporate faith in the business place? 

Give God your best, and then rest. It is God who provides the success when we do our part. If we had made all the same decisions and HL never got past one store, God would not be less honored in our work then he is today. It’s about being faithful with what’s been given to you. History will be re-written and we will not be the heroes. We shouldn’t be seen as that today.

How can we pray for Hobby Lobby? For your family?

“His Kingdom come, His will be done” and “Lead us not into temptation, but deliver us from evil.” May we be following God and not tempted to think we are responsible for our success. Likewise, whatever happens in the future, if it would bring God glory may it be done regardless of how it impacts Hobby Lobby.

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World Cup holds up mirror to life

2014_World_CupThe collective yawn that usually greets the World Cup on these U.S. shores has given way to real live celebration and excitement. The shots of fans in Chicago hollering about shots in Manaus thrill the hearts of fütbol fans everywhere.

You can argue otherwise, but I believe soccer — especially at the World Cup level — is the most popular sport on the planet because of all sports, it most closely mirrors the human condition.

Consider: A soccer match pits two sides against each another in a long, arduous test of endurance that flows continuously, mercilessly. It demands full effort from every player at all times. It calls for strategy. It calls for patience. It requires stamina and speed, grace and grind. It’s a pushing, pulling, bouncing chess match, and it hurts to play it.

It moves fast, often in blinding bursts, leaving players precious little time to rest (halftime aside). And Lord help the player who grabs a mistimed breather. A little sleep, a little slumber, a little folding of the hands to rest, and Neymar shall cram the ball down thy throat.

Soccer demands perseverance. Tired? Keep running. Overmatched? Keeping pressing for chances to score. Down 2-nil with a minute to play? Keep shooting, if only to say you played all 90 minutes (plus three for stoppage time) with all your heart.

Soccer also commands loyalty bordering on madness. Hooliganism, refs packing sidearms, vuvuzelas — this is a sport with a dark side. Nobody even tries to hide it. It might be ugly, but fans sporting that kind of obsession demand respect, if not necessarily admiration.

Soccer can be played by nearly everyone, regardless of income, but few can master it. It keeps you in constant motion, but offers few chances to succeed in a way that people remember. It can break your heart, it can pull you to your feet screaming, it can mesmerize you, it can render you speechless while you wonder, “How did that just happen?”

So poo-poo the Cup if you must, armchair quarterbacks. Spit sunflower seeds, if it makes you feel better, at Clint Dempsey and Team USA, all you baseball nuts (I’m one of you, by the way). No matter. For billions of fans, soccer is life. And right now is the time to cheer.

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Every street; rainy day

"Paris Street; Rainy Day" by Gustave Caillebotte. The Art Institute of Chicago.

“Paris Street; Rainy Day” by Gustave Caillebotte. The Art Institute of Chicago.

Author Mark Sayers is one of today’s best cultural observers. In his new book, “Facing Leviathan,” he deconstructs our consumer / spectator culture and talks about the need for leaders to break free of it. The “society of spectacle” is hardly new, but it’s been accelerated by entertainment, social media and our ever-increasing number of choices in every aspect of life.

Sayers uses an 1877 impressionistic painting by Gustave Caillebotte, “Paris Street; Rainy Day,” to make his point. He observes: “What is striking about Caillebotte’s painting is the distance that each walker is from each other. There is no conversation, even between the couples. Each figure in the painting carries above their head an umbrella, which seems to act as an urban shield protecting the walkers not just from the rain but social interaction. The scene is ordered, yet a sense of social dislocation and loneliness haunts the picture.”

If Caillebotte were alive today and wanted to paint a present-day scene to convey the same idea, he’d have plenty of inspiration. Go to any crowded place and watch the level of interaction between people (little to none) and then between individuals and their devices (nearly constant, with heads down). Then, sneak a peek at what most people are doing on those devices: Facebook. Candy Crush Saga. Angry Birds. Cat videos. Any sort of entertainment to engage them so they aren’t forced to interact with (or even look at) the people around them.

News organizations and individual journalists hear constantly that mobile devices must be our first priority in delivering information. While I understand that from a business standpoint, as a writer and reporter I’m also concerned. When everyone’s walking around under their own umbrella of sorts, tuned into their preferred entertainment frequency and social network, the rest of the street can become pretty foggy. That doesn’t portend well for our neighborhoods, our cities, our culture.

The journalist’s job – recognize what’s important and make it interesting – becomes more important and more challenging than ever. Our work can serve as a connector for all of those individual umbrellas … as talking points for the culture. Likewise, anyone reporting stories of God’s work on the mission field is helping set the tone for what gets talked about, prayed about and supported financially.

But first we have to find and report those stories, then deliver them to the umbrellas – not just to the church pews – using the same networks that deliver the candy and the cat videos. Most people aren’t clamoring for these stories, nor will they go looking for them – because they don’t know they exist.

That’s our challenge, and that’s the danger of everybody walking around with heads down under umbrellas.

 

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Blogging from your mission trip

From our friend Bruce Herwig at Trinity Church in Redlands, Calif., here’s good advice on blogging from your short-term mission trip. And thanks, Bruce, for the plug for our book!

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